SERSEN Therapeutic Storywriting Project |
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SERSEN is one of eleven Special Educational Needs (SEN) Regional
Partnerships established in 2000 by the Department for Education
and Skills to develop better regional planning arrangements for
SEN. In Autumn 2003 the South East Region Special Educational Needs
(SERSEN) Partnership sponsored a Therapeutic Storywriting Project.
Below is an overview of the pilot training and a summary of the
teachers' evaluation of the pilot training. See Writing
Stories with Feeling to view the 2004 SERSEN evaluation
report which assesses the impact of Therapeutic Storywriting on
pupils' learning.
Project Overview & Teachers' Evaluation of
Pilot Training
In Autumn 2003 SERSEN organised a pilot training for over 50 SENCOs
and SEN teachers from 8 education authorities in Therapeutic Storywriting.
The training used the Therapeutic Storywriting model, designed to
support children with Emotional and Behavioural Difficulties develop
emotional literacy through storywriting. This model was initially
developed by Trisha Waters at Sussex University where her research
showed that, in addition to supporting the child’s emotional
literacy, it can also develop the child’s motivation and skills
in writing. This pilot training was the second phase of the SERSEN
Therapeutic Storywriting Project– the initial phase involved
the writing of the teacher’s book Therapeutic Storywriting
by Trisha Waters, published by David Fulton in May 2004.
The aim of the 3-day training was to support teachers set up Therapeutic
Storywriting groups at Key stage 2 in their own schools. For this
reason the training days were spread over a few weeks to allow teachers
to bring their experience of setting up groups and examples of children’s
stories to the 2nd and 3rd days of training.
Five 3-day courses were offered in the SERSEN region. Four of these
were available for teachers in the 6 SERSEN LEAs i.e. Kent, Medway,
East Sussex, West Sussex, Surrey, Brighton & Hove, with the
fifth course offered to teachers in the neighbouring South and Central
Regional Inclusion Partnership (SCRIP). Each course was limited
to 12 participants to allow time for teachers to discuss the experiential
aspects of the course as well as issues arising from newly set-up
Therapeutic Storywriting groups. Brighton & Hove consolidated
the training in their schools by funding the trainer to provide
½ day in-school follow-up support for each B&H teacher
who attended the course.
The content of the course was as follows: -
Day 1
Introduction to Therapeutic Storywriting
The significance of story metaphor
Setting up a Therapeutic Storywriting group
Ways into story
Interpretation within the metaphor
The teacher’s story
Day 2
Characters as a projection of subpersonalities
Containment of anxiety for thinking to take place
Receiving the child’s story
Active listening and reflection of children’s stories
Using choice points in the teacher’s story to support emotional
literacy discussion
Discussion of points arising from teachers’ groups
Day 3
What is emotional literacy?
Setting stories in fantasy or external reality
Addressing specific issues through the teacher’s story
The group dynamic & boundaries
Liaison and reporting to other professionals
Discussion of points arising from teachers’ groups
Teachers' Evaluation of Pilot Training
Quality of training
77 % classified the quality of training as ‘excellent’
(1 on scale 1-5)
21 % classified the quality of training as ‘very good’
(2 on scale 1-5)
Relevance of content to work in schools
65% classified the relevance of the course content to their work
as ‘excellent’
35% classified the relevance of the course content to their work
as ‘very good’
Number of teachers who set up Therapeutic Storywriting
groups
44% of participants set up a group before the end of the course
Remaining 56% planned to set one up in the near future
What teachers found particularly useful about the course
Linking psychological theory with practice
Having time to reflect on the content and meaning of children’s
stories
Having a clear framework for running a group session
Practising writing the Teacher’s Story
Ideas for extending the child’s emotional vocabulary
Practical aspects modelled by course leader
Working through metaphor
Hearing stories brought in by other participants
Practising story openings
How the training impacted on teachers’ educational
practice
All had either set up a group (44%) or planned to do so in the near
future(56%)
Able to reach more troubled, often isolated children
Used active listening techniques in all aspects of their work
Used by some participants in their outreach work with other schools
Felt able to provide a safe forum for children to express concerns
Provided another strategy to support emotional well-being
Influenced response to stories written in other settings
Increased confidence to safely address children’s emotional
anxieties through story
Challenges faced by some teachers included: -
Setting aside a regular time for the group
Time-tabling issues
Finding a suitable space in which to work with a small group
Sharing the model with other members of staff
Gaining support from management
Issue of funding for groups
Future training requirements included: -
Access to follow-up support to discuss group work
How to work with individual children
Workplace counselling skills
An accredited course
Teachers’ Comments about the Training: -
“There was some wonderful writing from the children. What
particularly impressed me was how much their story writing developed
through the focused interest of myself and other members of the
group. Such was the enthusiasm it became rather a battle to stop
them writing at times.”
Mike Love (Headteacher, Glencoe Junior school, Kent)
“I’ve become utterly convinced of the value to children
of this way of working. Initially a little sceptical, I found the
children writing stories that could have been scripted to prove
the efficacy of the method.”
Nicki Leggatt (Teacher with Behaviour and Education Support Team,Kent)
“Without having to train as a therapist, Therapeutic Storywriting
allows a teacher to provide a safe place to explore difficult feelings
by creating their own stories and staying within the metaphor.”
Ingrid Cleaver (Educational Therapist, Oxford)
‘One child in particular, who finds writing a practical,
cognitive and emotional challenge really took off on this …
His involvement was total and consuming, which led to a greater
quantity of writing than I had previously seen. His story reflected
many aspects and desires at a particularly turbulent time in his
life and as a consequence he has sustained a new level of confidence
in himself as a writer and as an individual.’ (Teacher, B&H)
‘This has given me a structure to work therapeutically with
groups of children within the normal school setting. The progress
in writing and tapping into their own feelings is great. It is very
visible each week to see how children relax, become more confident
and move on from entrenched positions.’ (Teacher, Kent &
Medway)
‘This is an excellent course ... delivered at a level that
is very accessible for school staff and behaviour support services.’
(Support teacher, Kent & Medway)
‘It has been a ray of light- working with very needy children
gets overwhelming and this seems a practical, pro-active way of
helping children to address their own needs.’ (Teacher, Kent
& Medway)
‘I’m much more aware of how story writing can provide
a real healing tool to help children deal with their emotions…A
very good course- thought provoking and useful in many ways.’
(Teacher , West Sussex)
‘It was helpful to have the ideas and strategies put into
an academic framework. It was also good to work with a practitioner
who is very aware of the reality of doing such work in schools.
The exercises helped focus my thinking and to gain an insight into
the challenges the children would face.’ (Teacher, B&H)
(www.sersen.uk.net
to find out more about the work of SERSEN)
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